repairs, and why we like them

above from the book 'the craftsman' by richard sennet 

i've been catching up on my reading lately ...

click the photos to enlarge them

so, last week i had a small run of repairs,

bringing things back to useful life

i got the chair in the first photo above with the missing parts

in a nice cloth grocery bag .. first step was to reglue

the backsplat and get it ready to re install

here it is, all set to go ... 

this was what i refer to as a 'functional restoration'

where the object is reassembled using the guide line

'if it doesn't make sense financially to fix it correctly. fix it any way you can'.

a 'proper' restoration was not financially feasible, yet the repairs

i did here will extend the chair's life, (barring catastrophe), for the foreseeable future.

and then something comes in the door that just blows you away

yowza!

details, detail, details ... nice black mother of pearl in the peacock's tail

and i love the details on the metalwork .. that alone probably took a couple of minutes

the client inherited this chest from her aunt who collected 

chinese 'stuff' .... i can't imagine who commissioned this one ...

and let's not neglect the back ... i think they threw the 

angles and curves in just for fun ... 

another painted chest required some adjustment and repair to 

the little stubby legs, which may or may not have been original .. 

FUNKY CHAIR !! obviously a green wood construction

check the warp on that seat .. quite a twist!..

point of interest here, after cutting off the front leg a bit to relevel it,
i noticed that the leg was turned from what appears to be a branch, with
the heart included in the turning .. never saw that before .. my guess is circa 1800.

better view of the warped seat

note the fact that the left leg in the rear and the opposite leg in the front
were shortened by at least an inch each .. 

and then we get to my friend Tom's 'music chair'
which he has been sitting in to play his guitar for a good portion of his recent life.
when it arrived, it had three snapped off tenons, one on the top of a leg, two stretcher ends,
and a long spit in the center stretcher ...

the leg top i was able to drill for a 5/8th" oak dowel new tenon, but the stretchers
required turned and scarfed on new tenons with small screws reinforcing the joints
from the bottom of the stretchers.  tom's my age, the chair's quite a bit older,
and we'll see how it goes.  i am hopeful ...

and below, from a previous restoration blog post i wrote a few years ago about repairs ..
that blog post has a link to a new yorker article on
the conservation studio at the new whitney museum ...
the new yorker article is a thought provoking read on art and time passing ...

chance to be a hero

ok ... miracles still do happen ... i managed to get the veneer on this top back to flat.  see the full story below, and click the photos to enlarge them, especially of the 'before' top 2 images below ...

4/22/2015
well, the boys in the shop kind of shook their heads when i came in the door with the top from this bureau.  it's austrian, maybe.  the clients bought the bureau in australia in the late 60s. it's a very cool piece with serious veneer isues on the top ..
click the photos to enlarge them ... really .. this is a cool piece.

it's definitely old .. the veneers are hand sawn and about a thin 1/8th" thick.  i can't be sure what the wood is yet, but the bureau exhibits classical construction joinery and an obvious high level of builder skill.  but the top !!! ooo weee!  can we fix that?  we'll see.

step 1 .. start slowly.  pry at the pieces and see what happens .. wow, they sort of pop off easily!  it looks like they were applied with hot hide glue and tapered hand whittled square pegs.  a bunch of them at that.

here are some of the pegs, and they really work ... i'll have to figure out how to make these when i put the top veneers back together.

i decided that at some point i would have to flatten the top and decided to do it sooner rather than later.  once i got the top off the case it got even more humped up, but after a struggle, and some kerfing, it's a lot closer to flat

stay tuned.  i think tomorrow i will make the kerfs a little deeper to remove more of the stress.  the cleats are 3/4" quartered white oak and they couldn't draw the top flat.  it might be easier if i remove more of the veneer. then i'll try to get the glue off the backs of the veneer pieces, which you can now flatten out easily by hand .. the subtop is pine, and the old hide glue pops right off that.  i'm starting to have some hope, even though i've really only just begun. 

4/24 .. a little more progress today .. i think i've got everything off that's coming off and the top has flattened out quite a bit

i might make a few of the kerfs a little deeper monday, and then fill them in with pine wedges, then glue a piece of 1/16th walnut veneer to the bottom to balance the panel .. it should stay flat then ... i hope ... we'll see
update 5/13/2015
ok .. i've been working on this off and on for about 3 weeks, but i finally whipped it yesterday .. i was able to reglue all the original pieces with their original finish back flat onto the original top. i'll be installing it back on the bureau on friday morning.  the owner came by yesterday to see it and she was totally thrilled ... i think i made hero status, for her at least.  below are a series of photos
showing the reinstallation of the pieces

there were some repairs made to this piece in the past with non hide glue so i had to glue some of the loose edges down without removing the entire piece .... no problem, just added more time to the cycle for the glue to dry.  this was just one of many contemplative moments in the process ..

this is typical of the pieces i was able to get off ..

as you can imagine from the previous photo, there were some highs and lows after we scraped the old glue off.  i was able to shim the low spots by trial and error with some 40th inch maple veneers

one piece at a time with some time between each clamping for the glue to set up.  i had to remove the clamps and cauls several times to clean off the hide glue squeeze out as the glue set up.

the melamine clamp cauls worked slick.. the plywood ones we covered with packing tape, which was also effective.  in all glue ups shown here, and in most other antique repairs described on this blog, i used franklin liquid hide glue for future reversability.

as i got to the middle of the top, i had to switch to my original, from the 80s, hydraulic jack clamping concept.  i've got about 10 of them from when before vacuum veneer bags were readily available and affordable.  i even had the sticks, and the blocks were still on the ceiling

so, all in, all done .. i'm gonna take a bow now and go have a guinness ..
5/15/15
can't resist posting a few on site photos

before