'State of Craft' ... Exploring the Studio Craft Movement in Vermont: 1960-2010. Runs from May 22nd to October 31st at
The Bennington Museum, Bennington, Vermont . Curated by Jamie Franklin and Anne Majusiak, it displays the work of 85 craftspersons, (is that how we call us?) 125 objects, oral histories, studio interviews .... I don't generally look for shows to be in, but this one found me and I'm glad it did .... Click the pictures to enlarge them ....
"Bridges", our piece, is a collaboration between Dan (b. 1947) , Sam (b. 1982) and Will (b. 1984) Inspired partly by
my grandfather, Irvin Seeders, a bridge riveter for Bethlehem Steel for 52 years (b. 1902), BS from 1916 to 1968. For the show, I thought it would be good if his generation, my generation and the next generation were represented. You know, a 100 years of craft or something .... just a thought ...
Our piece started as a couple of different ideas, based on
other designs we had created, but took on a life of its own. For a while it was going to be
gold leaf and bubinga, then high finish walnut and blued steel, but in the end, it came to be made of recycled oak (heritage and tradition) and painted steel, with the rivet connection to my grandfather the coup de grace. Sam did the steel work and the green paint; Will did the burning and finishing, and I did a little roughing out of the wood and assembly and helped with the conceptual stuff. On the whole, a lot of fun. The show opens next Saturday and I am really looking forward to it ... Should be a good party ...
Early on .. after we decided on the recycled oak, but before the rivets ... The burnings seemed unrelated ...
The initial paint job, which was later toned down by sanding through to the red primer and glazing ...
The rivets ... I forget
exactly whose brainstorm that was, but it was a good one ...
Will,
burning the oak prior to staining and glazing ....
After the burning and stain, before the sanding and glazing ...
It's a bridge ...
A rusty one in Shelburne, MA
A soaring and inspirational one in New York, the
GW, which I'm pretty sure my grandfather worked on ...
Some of the other pieces in the show .... this is the underside of the 'quarter bench' below
There was no label and I don't know the artist, but he's from Brattleboro.
Other objects ready to go ..
'State of Craft' ... Exploring the Studio Craft Movement in Vermont: 1960-2010. Runs from May 22nd to October 31st at The Bennington Museum, Bennington, Vermont . Curated by Jamie Franklin and Anne Majusiak, it displays the work of 85 craftspersons, (is that how we call us?) 125 objects, oral histories, studio interviews .... I don't generally look for shows to be in, but this one found me and I'm glad it did .... Click the pictures to enlarge them ....
"Bridges", our piece, is a collaboration between Dan (b. 1947) , Sam (b. 1982) and Will (b. 1984) Inspired partly by my grandfather, Irvin Seeders, a bridge riveter for Bethlehem Steel for 52 years (b. 1902), BS from 1916 to 1968. For the show, I thought it would be good if his generation, my generation and the next generation were represented. You know, a 100 years of craft or something .... just a thought ...
Our piece started as a couple of different ideas, based on other designs we had created, but took on a life of its own. For a while it was going to be gold leaf and bubinga, then high finish walnut and blued steel, but in the end, it came to be made of recycled oak (heritage and tradition) and painted steel, with the rivet connection to my grandfather the coup de grace. Sam did the steel work and the green paint; Will did the burning and finishing, and I did a little roughing out of the wood and assembly and helped with the conceptual stuff. On the whole, a lot of fun. The show opens next Saturday and I am really looking forward to it ... Should be a good party ...
Early on .. after we decided on the recycled oak, but before the rivets ... The burnings seemed unrelated ...
The initial paint job, which was later toned down by sanding through to the red primer and glazing ...
The rivets ... I forget exactly whose brainstorm that was, but it was a good one ...
Will, burning the oak prior to staining and glazing ....
After the burning and stain, before the sanding and glazing ...
It's a bridge ...
A rusty one in Shelburne, MA
A soaring and inspirational one in New York, the GW, which I'm pretty sure my grandfather worked on ...
Some of the other pieces in the show .... this is the underside of the 'quarter bench' below
There was no label and I don't know the artist, but he's from Brattleboro.
Other objects ready to go ..
2 comments:
Hi Dan! I was at the Bennington Museum today for several hours (volunteer & committee work & such)and had an opportunity to see several of the pieces being set up and installed in preparation for this Saturday's opening of the State of Craft Exhibit. Saw your bench/table and absolutely loved it! Now that I know the concept behind it, makes it even more special. A wonderful collaboration between you, Sam, and Will - plus a tribute to your grandfather. Beautifully done!
Ceil Petrucelli
Ceil Petrucelli Interiors Bennington, VT
http://www.ceilpetrucelliinteriors.com
Congratulations Dan and company! Beautiful work, as always and not to mention that yours is one of the best woodworking blogs out there.
The artist who made the coin chair, by the way is the talented Johnny Swing, http://johnnyswing.com
Best regards,
peggy
http://VermontWoodsStudios.com
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